Scott LaFaro
Early Life and Education
Scott LaFaro, born Rocco Scott LaFaro on April 3, 1936, in Newark, New Jersey, was an influential American jazz double bassist. He grew up in a musical family, which fostered his early interest in music. LaFaro's father, a violinist, introduced him to music at a young age. Initially, LaFaro played the clarinet and tenor saxophone before switching to the double bass at the age of 18. He attended Ithaca College in New York, where he studied music and honed his skills on the bass. His formal education was complemented by the vibrant jazz scene of the 1950s, which provided him with numerous opportunities to perform and collaborate with other musicians.
Career Beginnings
LaFaro's professional career began in the mid-1950s when he joined the Buddy Morrow Orchestra. This experience allowed him to develop his technical prowess and gain exposure to a broader audience. His innovative approach to the double bass quickly garnered attention within the jazz community. LaFaro's style was characterized by his use of counterpoint, melodic lines, and a rhythmic approach that deviated from the traditional role of the bass as merely a time-keeping instrument.
Collaboration with Bill Evans
One of the most significant periods in LaFaro's career was his collaboration with pianist Bill Evans, which began in 1959. LaFaro joined the Bill Evans Trio, which included drummer Paul Motian. This trio is often credited with redefining the role of the rhythm section in jazz. LaFaro's interplay with Evans was marked by a conversational style, where the bass and piano engaged in a musical dialogue rather than following the conventional solo-accompaniment format.
The trio's recordings, such as "Portrait in Jazz," "Explorations," and the live albums "Sunday at the Village Vanguard" and "Waltz for Debby," are considered seminal works in jazz history. LaFaro's contributions to these albums showcased his ability to blend technical virtuosity with emotional depth, making him a pivotal figure in the development of modern jazz.
Musical Style and Innovations
LaFaro's approach to the double bass was revolutionary. He expanded the instrument's role by incorporating techniques such as pizzicato and arco, which allowed him to produce a wide range of tones and textures. His use of harmonics and rapid, fluid lines challenged the traditional perception of the bass as a purely supportive instrument. LaFaro's playing was characterized by a sense of freedom and spontaneity, which encouraged other musicians to explore new possibilities in their own performances.
His influence extended beyond his work with Bill Evans. LaFaro collaborated with other jazz luminaries, including Ornette Coleman, with whom he recorded the album "Free Jazz: A Collective Improvisation." This collaboration further demonstrated his versatility and willingness to push the boundaries of jazz.
Legacy and Influence
Scott LaFaro's impact on jazz was profound, despite his tragically short career. His innovative techniques and musical philosophy influenced a generation of bassists and musicians. LaFaro's emphasis on the bass as a melodic and harmonic instrument paved the way for future developments in jazz and other genres.
Tragically, LaFaro's life was cut short in a car accident on July 6, 1961, at the age of 25. His untimely death left a significant void in the jazz world. However, his recordings continue to inspire and educate musicians and listeners alike.